选集列表
剧情简介
This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs. This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal. The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society. The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.
观众心声
伊朗不晴朗，伊朗风很大
从头到尾都是风沙声
以茶代酒，李睿珺，《隐入尘烟》
很純粹的一部電影,內核上和羅西里尼和薩尼斯那種避免戲劇高潮而還原現實的面貌的思路如出一轍,但不同的是本片的焦點不是生活中的事件,而是片名中的水,風與泥土,於是其所呈現的真實性針對的並非事件而是獨特環境所塑造的氣質及環境壓力下人所受的影響,而由此本片在形式上反為貼近貝拉塔爾後期的作品
好崩溃的风声