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心中的故乡高清在线观看免费版7.0
主演：Choi Eun-Hee Byeon Ki-Jong Yoo Min Kim Seon-Young Seok Keum-Seong Nam Seung-Min
导演：尹龙奎
状态：HD中字
选集列表
剧情简介
Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes "A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea." A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword: - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
观众心声
印象中这是看过的年代最久远的一部韩国电影。描写一个住在庙里的小和尚一直思念自己的母亲，却在住持的干预下，与亲生母亲相见却无法相认，也没能跟想收养他的养母去汉城上学……前半段以为是一部表现亲情的儿童片，后半段才顿悟导演真正的关注点似乎是那个无所不能，时时给人洗脑和扣帽子的住持，他背后所代表的宗教、意识形态乃至政治是造成小和尚母子分离的罪魁祸首，联想到影片拍摄时间1949年（韩战爆发的前一年），似乎有了多重读解的可能。
那个年代朝鲜电影是反映苦尽甘来，韩国电影是反映苦海无边
沒媽的孩子像根草TAT
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