In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
情感线很细腻,没有工业糖精,甜得自然又好磕。
这琴弹得……
[33rd Oscar][拾遗] 人性假借神性扼杀人性。
女主很美,服化道也很精美,画面总体来说很舒服 不过作为中国人,真的无法理解为什么离婚结婚还要去罗马教廷申诉
美術指導把李斯特變成貓王 被遺忘的好萊塢華人攝影師
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