已完结
50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
学到了一些表达内心的镜头语言,我看到的是战后人们没有能力赋予一段感情意义的无力。
前半个小时看得津津有味,还不时感叹摄影构图真不错,后来剧情变得看不懂了,本来是拍的感情,氛围突然又变得跟谍战片一样了。PS:男主角长得真像年轻时候的克洛泽
20221119 周六 22:20 场景构图干净舒服,除去爱只剩恐惧,拍得美但内容很干扁,过于文艺又煽情!
乱世中的个人感情生活,粗放中的精致。比安东尼奥尼《奇遇》具有更丰富的质感
波兰戏剧在电影中的再次彰显 强有力的画面控制能力和镜头语言 政治隐喻没看懂 也猜不透 即使考虑敏感时期因素 作为观众我也还是难以抓到重点... 那么这就是导演的问题了
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