已完结
选集列表
剧情简介
Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.
观众心声
倒是觉得结尾定格在字幕卡“我们会救他的”恰到好处，一种对命运无力的悲剧性表达。
德吕克的遗作，也是我眼中他最出色的作品。最大的改变就是打破了室内剧的空间结构，依旧将自然元素与角色心理相互渗透，影像的诗意溢出屏幕。德吕克电影理论的建树和创作上卓越的摄影令人赞叹，后世高超的胶片修复技术同样居功至伟。
我猜这部应该完全属于“印象派”了。
那个铃铛好像人的喉咙。
印象派，乡村风光~ 环境对人的影响 忧愁无助的老父亲 八卦碎嘴村民的恶，老父亲以牙还牙杀死传谣者也是恶 别的都是浮云，亲情才是真的~ 大自然愤怒的洪水结束，散播谣言的小碧池寄了（老父亲为保护女儿把她推下水淹死了），太阳出来但又没有完全出来，父亲被警察带走了