选集列表
剧情简介
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
观众心声
7.5/10。①一对夫妻对他们的婚姻感到乏味，于是在一派对上分别与别的异性调情。影片讲述了派对结束后他们回到家在家里一番争论商讨，最终决定婚姻的陪伴与稳定比情人更重要。②声音上是歌剧吟唱（由角色们发出），画面上基本是各种剧情扮演。③以极简的置景、克制的表演模式和简约中带着超验感的摄影美术/运镜调度营造一种更纯粹的情绪感受与精神体验（同质于《词语》），并在此基础上以歌剧吟唱为影像提供最主要的情绪魅力。④影像上的情绪冲击力不够强（冲击力比《摩西与亚伦》轻）。
（3）好像是看的第七部于伊耶-斯特劳布的长片，貌似是属于比较好进入的一档？在狭小的空间里唱唱唱，但总感觉即使已经在唱了却也少了其它作品中拥有的美感。
终于又看到一部能耐心看下来的施特劳布电影。
三星半。一对演员夫妻从头唱到尾，后来来了另一对，然后一起唱
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