In 2007 Banksy goes to Palestine to paint on walls. Someone takes offense at a piece depicting an Israeli soldier checking a donkey's ID. A local taxi driver decides to cut it off and sell it back to the West. This is the story of the Palestinian perspective and reaction to street art through the work of its most celebrated hero. The story of an illegal black market of art stolen from streets around the world, cultures clashing in the face of an unsustainable political situation and finally of the changing perception on street art. It is not one story, but many. Like Banksy's art would be meaningless without its context, so the absence of it would be meaningless without an understanding of the elements that brought his artwork from Bethlehem to a Western auction house, along with the wall it was painted on.
从现实主义与浪漫主义的理念冲突来讨论公共艺术的价值问题,但是主要要讨论的什么并不算很清晰。 到底是谁把这个命个“贩皮之人”上传的,现在找到的贩皮之人全是这个,我等了80分钟莫妮卡贝鲁奇都没出场。。。
商业剥夺了本来给予大众的作品,把它私人化。让一个艺术品变成一个纪念品,只剩下商业价值。 本片真的只是在记录,漫无目的的访谈。偶有金句也是被访谈的人提出的,“他们总要猎杀最大的大象”
街头气质的采访穿插年轻气息的 Hip-Hop 就是很多表达都是直接说出来 结尾也是如此 当然对于激进街头艺术的观念和现代商业化艺术品市场的对冲理念以及那个所谓创作环境 Context 到底意义何在的辨析还是有些启发的
伸头看字幕太累睡着了。在庞大的音乐声里和黑压压的观众间悄悄睡去,曼妙的墜入感。间断醒来,哦,魔幻。
想讲的东西太多了 讨论的话题太多元而每个又都太复杂 所以都处在浅尝辄止的程度 感觉更像是把四面八方的观点都摆在人面前 留给人自己思考的空间比较多
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