选集列表
剧情简介
In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set. In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene. In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?
观众心声
6/10.。在耶稣从棺木中苏醒的时候，独裁者们的亡灵缠绕在时间抽象的地狱，穹顶破败的大教堂、混沌灰暗的滤镜创造出了绘画般的平面世界，这个空间就像一条穿越集合的线，无穷无尽地使每个集合发生联系的可能。通过历史影像与AI直接换脸，将斯大林、墨索里尼、丘吉尔和希特勒不同时期的面孔和服装进行剪辑，对白相互交叠，他们表情停滞、动作缓慢地游移于虚拟背景，无数战场死难者的变形镜头和墨色透明的欢呼群众，暗示对死亡的倾听、思考和对极权灾难的无奈。地狱的看守者拿破仑将炸弹递到希特勒手上，被后者用来摧毁一座风车，即使身处迷乱的世界中，权力狂人也无法控制毁灭的欲望，他们观点彼此对立，但失去神话光环后都徒剩一具麻木的躯壳。索科洛夫用隔断、荒废的时间运动挑战着观赏者底线，所塑造的是历史对各种意识形态的扭曲，它的运动从未停过。
“Uncle Jo, you didn't go to your mother's funeral, did you?” "I was away." 古今多少事，都付笑谈中。
亚历山大·索科洛夫提醒您：该电影疑似使用智能合成技术及涉嫌意识形态投喂，请放心食用。
渐渐地所有的语言都混杂起来（当我听墨索里尼说话我愣了一秒钟才想起我是能听懂的）。emmmm，古典文学读者大满足，不过感觉后半部分没那么爽了。另外就是可能只适合电视和大银幕上看，电脑上播放怪怪的。
idea明明很有意思…可惜了……