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剧情简介
Professor Bettany Hughes investigates the story of Bacchus, god of wine, revelry, theatre and excess, travelling to Georgia, Jordan, Greece and Britain to discover his origins and his presence in the modern world, and explore how 'losing oneself' plays a vital role in the development of civilisation. In this fascinating journey, Bettany begins in Georgia where she discovers evidence of the world's oldest wine production, and the role it may have played in building communities. In Athens she reveals Bacchus's pivotal role in a society where his ecstatic worship was embraced by all classes, and most importantly women. On Cyprus she uncovers startling parallels between Bacchus and Christ. Finally, Bettany follows the god's modern embrace in Nietzsche's philosophy, experimental theatre and the hedonistic hippie movement to conclude that, while this god of ecstasy is worthy of contemporary reconsideration, it is vital to heed the warning of the ancients - "MEDEN AGAN" - nothing in excess.
观众心声
从雅典到斯基里岛，到格鲁吉亚，到罗马，到帕福斯，到英国的Painshill公园，到东方印度，到尼采，最后回到德尔斐大殿，狄洱尼索斯就这么悠哉躺卧3千年着看人类文明醉醺醺的这一遭转悠。
“要不要疯狂一下，当然要，但物极必反，要保持足够的控制，拉回自己，这样的迷醉才不会有毒，而是销魂的陶醉。”
倒是那种严肃而无聊的纪录片。稳扎稳打，无功无过。
片中提到酒神和耶稣的相似处， 就像是尼采把自己视为基督耶稣。 整部纪录片里酒神对世俗宗教的影响力，讲的太多了。
在酒神和太阳神中摇摆 从一个极端摇摆到另一个极端