HD
主演:文森特·卡塞尔 卡特琳娜·莫里诺 Mariam Battistelli Rame Lahaj
导演:Davide Livermore Paolo Gep Cucco
状态:HD
Synopsis A sudden gunshot destroys the dream of two lovers. The fate of Orpheus and Eurydice is a cruel one. On their wedding day, her soul is kidnapped and taken down into the Netherworld. Under a metaphysical sky Charon, the taxi driver, waits for the crime to be committed. COMMENTARY The movie is an opera-musical with an immersive and transmedial language. The myth is transposed into the contemporary age: Charon is a taxi driver and we go from Paris half under water to the stage of the Teatro Regio in Turin, in a play of musical references that range from Puccini to Händel, from Verdi to Gluck, from Vivaldi to Frankie Goes to Hollywood. And the images fuse words, lyric opera, fashion and the visual arts, between the real and the virtual. DIRECTOR'S STATEMENT We created an unexpected encounter between acting and lyric opera, between pop, special effects and images filled with symbolism. Bringing into a cast of extraordinary actors such as Vincent Cassel, Fanny Ardant and Rossy De Palma two young artists selected among hundreds of lyric opera singers: Valentino Buzza and Mariam Battistelli.
歌剧界终于也有水平能媲美逐梦演艺圈的作品了真是太好啦
这部剧有亮点,但也存在明显的短板。可能会觉得值得一看;但如果对剧情逻辑要求较高,可能会有些失望。个人认为,它算是一部及格线以上的作品,但距离优秀还有一定距离。
当歌剧试听温习了,镜头切太乱,情绪和画面跟不上…女主要死了男主脑子里为啥只有情爱画面,别的回忆就不能拍一点么
古希腊神话里面的爱情悲剧,歌剧和电影结合的很糟糕,太多的电影情节,依靠视听叙事的后期制作,而且非常不连贯的故事联结和情感积累,看完之后没有任何内心触动。男主的唱的挺好,女主选角不好,这60花的不值。
普契尼,亨德尔,维瓦尔弟,威尔第…能在电影院听到经典歌剧曲目的大串烧,蜿蜒起伏的咏叹调让人声成为最赤裸的告白。同时电影牵入好莱坞音乐剧曲调式的主题曲,觉得不算先锋,但摩登。前段节奏很快,循着俄狄浦斯和欧律狄刻的故事,现实与神话的结合在影片末尾渐渐开朗,冥界的一切在现实都有迹可循,有物可依。觉得电影太过于渲染抒情,不免也是受咏叹调的性质的影响,l’amour, el amor, 很难潜入这场梦里
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