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剧情简介
Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness. (http://www.input2002.com/en/film/24418.html)
观众心声
完全失去了《银色头颅》时的对声音元素运用得妙入毫颠的惊艳。整部影片十分笨拙，父债子偿的宿命感似乎只能借由角色痛苦的姿态去展现，也未能与杂交伦理的指涉及非人道实验的控诉等完成圆融。
翻译字幕再看一遍。 绝对是返璞归真……虚构中映射中苏联时代那些鲜为人知的实验。
4.5，在俄式诗意慢电影之中加入了从黑色电影之中得来的倾斜景框从而渲染不安感，此举令其成为哥特和东愁精神的混合体。《直立行走》模仿了社会主义现实主义的苏联式中产阶级的家庭构造，但却置于被弗兰肯斯坦的狰狞怪物的威胁之下。身体的威胁导致了空间的地质学结构的颤动，被加密之物得以显现，在两层的斯拉夫式乡村别墅之中总是存在着充满着蛛网的地宫或阁楼，掩盖的文件、影像——电影媒介的物质载体和明确喻言——指向了那个失去的、创伤的过去——苏联的另类科学狂热，后者进步主义地绝望地创造新社会的“新人类”，却最终达成了僵尸纪元，这只能是苏联病危晚期或者死后才能出现的影像。是的，《直》黑暗启蒙地展现了进步主义的后果，但也召唤了费奥多罗夫-杜金的东正教精神，在这种精神之下可怕的是，死灵复活，未竞的救赎由亲代向子代承继。
2024-12-17
2011-9-10 硬盘。 2012-5-------